BOOKS
Reenacting Shakespeare in the Shakespeare Aftermath: the Intermedial Turn & Turn to Embodiment (Palgrave, 2019). Reviewed Shakespeare Studies, XLVIII (2020): 248-254; Shakespeare 16:1 (2020): 113-15; Shakespeare Survey 73 (2020): 266; Shakespeare Quarterly 73:3-4 (2022): 354-56.
Norton Critical Edition of Shakespeare’s Richard III. New York: W.W. Norton, 2009.
New Wave Shakespeare on Screen. Co-authored with Katherine Rowe. Cambridge, UK: Polity Press, 2007. Reviewed SEL 49:2 (2009): 527; Shakespeare Survey, 61 (2008): 383-4; Shakespeare Quarterly, 59:2 (2008): 230-32.
Repositioning Shakespeare: National Formations, Postcolonial Appropriations. London: Routledge, 1999. Reviewed TLS, 11-19-99: 18-19; Textual Practice, 14:1 (2000): 155-63, esp. 160-2; ARIEL, 31: 1 & 2 (2000): 438-440; Theatre Research International, 25:3 (2000): 297-98; Symploke, 8:1-2 (2000): 225-6; MaRDiE, 14 (2001): 259-64; SQ 52: 2 (2001): 306-8, SRASP, 24 (2001): 77-79.
Marlowe, Shakespeare, and the Economy of Theatrical Experience. Philadelphia: University of Pennsylvania Press, 1991. Awarded Calvin and Rose G. Hoffman Prize for Distinguished Publication on Christopher Marlowe (1991). Named a Choice Outstanding Book (1991-92). Reviewed: Times Higher Ed. Supp., 10-9-92; SEL 33:2(1993): 427-30; Theatre Res. Intl. 18:1 (1993): 61-62; SQ 43:4 (1992): 486-89; Choice, June, 1992; MSA Book Reviews 12:2 (1993): 2-4; Year’s Work in English Studies 72 (1991): 163, 193, 201.
ARTICLES & BOOK CHAPTERS
WOOSTER GROUP ESSAYS
“Tele-Performatively Yours”: Deformation, Distraction, and Meaning-Making in Three Recorded Works of Elizabeth LeCompte & New York’s Wooster Group.
The Killing Stops Here: Unmaking the Myths of Troy in the Wooster Group/RSC Troilus & Cressida (2012)
“Channeling the Ghosts”: The Wooster Group’s Remediation of the 1964 Electronovision Hamlet
THE SHAKESPEARE AFTERMATH
“The Face in the Mirror”: Joyce’s Ulysses and the Lookingglass Shakespeare
Essentializing Shakespeare in the Shakespeare Aftermath: Dmitry Krymov’s Midsummer Night’s Dream, Matias Pineiro’s Viola, and Annie Dorsen’s A Piece of Work
Doing It Slant: Reconceiving Shakespeare in the Shakespeare Aftermath
“High-Tech Shakespeare in a Mediatized Globe: Ivo van Hove’s Roman Tragedies and the Problem of Spectatorship.”
Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
DISORDER PROJECT
Transplanting Disorder: the Construction of Misrule in Morton’s New English Canaan and Bradford’s Of Plymouth Plantation
“From First Encounter to ‘Fiery Oven’: the Effacing of the New England Indian in Mourt’s Relation and Histories of the Pequot War
“Jack Cade in the Garden”: Class Consciousness and Class Conflict in 2 Henry VI
The Speaking Silence of Citizens in Shakespeare’s Richard III: Hidden and Public Transcripts
Suffolk and the Pirates: Disordered Relations in Shakespeare’s 2 Henry VI
POSTCOLONIAL PERSPECTIVES
Prospero in Africa: The Tempest as Colonialist Text and Pretext
After The Tempest: Shakespeare, Postcoloniality, and Michelle Cliff’s New, New World Miranda https://tcartelli.com/wp-content/uploads/2022/12/cliffessay-1.pdf
The Spell of the West in Orhan Pamuk’s Snow and Amitav Ghosh’s In an Antique Land
MARLOWE/SHAKESPEARE ON FILM
“Medium Specificity, Medium Convergence and Aliveness in the Chromakey (2018) & Big Telly Zoom (2020) Macbeths.”https://acrobat.adobe.com/link/review?uri=urn:aaid:scds:US:8dab1843-22bd-36c7-9de5-c533ef6e7fd6
Queer Edward II: Postmodern Sexualities and the Early Modern Subject
Surviving Shakespeare: Kristian Levring’s The King is Alive
MARLOWE/SHAKESPEARE/JONSON
“Marlowe & Shakespeare Revisited”
Bartholomew Fair as Urban Arcadia: Jonson Responds to Shakespeare
ECONOMY OF THEATRICAL EXPERIENCE
Thomas Cartelli 
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